Now I’ve seen it all
This is how insanely corrupt the United States has become.
The pharmaceutical industry that has handicapped countless children with mercury-based vaccines is able to buy a study that says a known neuro-toxin is good for the brains of infants and small children and improves their behavior!
First, “behavior” is not quantifiable and is completely subjective. There’s no science here. Just corruption of science on an inconceivable scale.
Second, mercury is a poison, a neuro-toxin that destroys the functioning of the central nervous system. There is no conceivable justification for it to be mainlined into the bloodstream of anyone for any reason ever.
You may want to watch this twice so you can be sure you really heard what you thought you heard.
Related:
Bush To Veto Ban On Mercury In Vaccines
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While you weren’t looking… Bush Has Succeeded in Setting Up His “New World Order”
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Barry Zwicker
The 9/11 News Special You Never Saw. About Psy Tactics and words that are being repeated in our culture. Good stuff.
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STEALING A NATION (John Pilger, 2004) is an extraordinary film about the plight of people of the Chagos Islands in the Indian Ocean - secretly and brutally expelled from their homeland by British governments in the late 1960s and early 1970s, to make way for an American military base. The base, on the main island of Diego Garcia, was a launch pad for the invasions of Afghanistan and Iraq. Stealing a Nation has won both the Royal Television Society’s top award as Britain’s best documentary in 2004-5, and a ‘Chris Award’ at the Columbus International Film and Video Festival. A brochure of the film is available at www.bullfrogfilms.com/guides/stealguide.pdf. On April 8, 2008, the Chagos Islanders have launched a national Campaign for Resettlement of their islands - please visit www.letthemreturn.com. For more information and updates on the plight of the Chagossians, visit the website of the UK Chagos Support Association at www.chagossupport.org.uk
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A follow up telephone call with George Green about the financial collapse of the US economy.
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Fuck the IMF and WTO!! (the real irony is that this film was funded by the Rockefeller Foundation <sigh> )
From the front-lines of conflicts in Mexico, Argentina, South Africa, Palestine, Korea, ‘the North’ from Seattle to Genova, and the ‘War on Terror’ in New York, Afghanistan, and Iraq.
It is the story of men and women around the world who resist being annihilated in this war.
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This movie, called “The Take”, is about the Argentine peoples grassroots movement to recoccupy the abandoned industry after the Menan (Their version of Reagan, and the Bush’s, corruption) financial fiasco that lead to the largest national debt in history. What lead to this disaster will also bring the USA down. This film is as much about the future of the USA as it is about Argentina’s past.
(English - via Babblefish)
The film describes the process of recovery of companies in Argentina on the part of the workers. A Canadian film of the Avis Lewis and Naomi Klein. With will ” subversiva” and ” of emocionar” thanks to ” a history humana” in the antipodals of reality show, the Kleins and Lewis try that the taking gives ” a turn of 180 degrees to the debate on globalización”. How? ” Presenting/displaying alternativas” to a problematic one, the one of the flight of capitals and the delocalisation of companies, able of ” to devastate an border country between first and the Third World like Argentina but that the same threatens Barcelona, Toronto and Caracas”. Lewis admits that factories in other places and moments of history have taken care, but emphasizes of the Argentine case ” a new emphasis in the basic democracy asamblearia” and the example of a working fight that replaces ” the tradition of huelga” by ” insistence in the right and the necessity to work with dignidad”. Klein emphasizes: ” If in 70 years the occupation of factories were fruit of an ideology that went of the head to the feet, today the process has been reversed and the policy is born and grows in action like the one to occupy not only a factory, but one marries, a social center or –taken from Internet– a program of free software or one canción”
(Original Spanish)
La película describe el proceso de recuperación de empresas en Argentina por parte de los trabajadores. Una película de los canadienses Avis Lewis y Naomi Klein. Con voluntad “subversiva” y “de emocionar” gracias a “una historia humana” en los antípodas del reality show, Klein y Lewis pretenden que La toma dé “un giro de 180 grados al debate sobre la globalización”. ¿Cómo? “Presentando alternativas” a una problemática, la de la fuga de capitales y la deslocalización de empresas, capaz de “arrasar un país fronterizo entre el primer y el tercer mundo como Argentina pero que amenaza por igual a Barcelona, Toronto y Caracas”. Lewis admite que se han ocupado fábricas en otros lugares y momentos de la historia, pero destaca del caso argentino “un énfasis nuevo en la democracia de base asamblearia” y el ejemplo de una lucha obrera que sustituye “la tradición de la huelga” por la “insistencia en el derecho y la necesidad de trabajar con dignidad”. Klein puntualiza: “Si en los años 70 la ocupación de fábricas fue fruto de una ideología que iba de la cabeza a los pies, hoy se ha invertido el proceso y la política nace y crece en acciones como la de ocupar no sólo una fábrica, sino una casa, un centro social o –tomados de internet– un programa de software libre o una canción”
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Determined to find the law that requires American citizens to pay income tax, producer Aaron Russo set out on a journey to find the evidence.
This film is a startling examination of government. It exposes the systematic erosion of civil liberties in America since 1913 when the Federal Reserve system was created. Through interviews with U.S. Congressmen, a former IRS Commissioner, former IRS and FBI agents and tax attorneys and authors, it shows connected dots between money creation, federal income tax and the national identity card which becomes law in May 2008. The film explores the possibiltity that America is moving headlong into a fascist police state.